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Sounds of Eddie Roberts
Sounds of Eddie Roberts
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Sounds of Eddie Roberts
Thu, Dec 31, 2020
Fast Man (Rare Sounds Remaster)
By: The New Mastersounds
This is a cover of a super rare funk track. 'Fast Man' was recorded as part of the first NMS album 'Keb Darge presents..'. However, it didn't make it to the album that was originally released 20 years ago (2001). This was actually because shortly after recording it, we became embarrassed by the break with us shouting out 'M.A.S.T.E.R. We're The Mastersounds', as we thought people would say 'who the hell are they anyway?'. 21 years later, it seems pretty funny that that's what stoped it making the cut, so for the re-master and re-press of our first album we decided to include it, and also release it digitally as a single for the first time ever!
The band recently re-pressed their debut album Keb Darge Presents: The New Mastersounds available exclusively via the Rare Sounds vinyl subscription club and included the tune as a bonus track that was not available on the first pressing.
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Sounds of Eddie Roberts
Thu, Nov 12, 2020
Get Out of Your Own Head
By: Freekbass
Posted By:
Sounds of Eddie Roberts
Thu, Oct 08, 2020
Under Krameria
By: Freekbass
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Sounds of Dan Africano
Sounds of Dan Africano
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Sounds of Dan Africano
Thu, May 06, 2021
The Warbler
By: Radon
This was a track that came together from seeds planted in isolation; Ableton sessions birthed during the first few months of a worldwide pandemic handed over to friends and plugged into a Leslie Speaker. Some glockenspiel and tambourines were added for good measure and a song was born.
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Death by Dub
Thu, Jul 01, 2021
Abundance
By: Death by Dub
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Sounds of Dan Africano
Tue, Apr 27, 2021
Last Run
By: Green Buddha
Posted By:
Sounds of Dan Africano
Thu, Apr 01, 2021
Neutral Ground (feat. Big Chief Gerald Paige)
By: Green Buddha
Green Buddha collaborated with New Orleans luminary Big Chief Gerald Page of the Great Spirit Warriors Mardis Gras Indian Tribe and youth empowerment movement in the track “Neutral Ground.” The lyrics come from a deep place for vocalist/guitarist Seth Strickland as he recalls moving from Colorado to New Orleans in winter 2016 after an emotional ride of leaving his old band, his old partner, and a 5-acre farm to start a new beginning. In New Orleans, Strickland found himself adopted by the iconic venue Maple Leaf Bar, clubhouse for Krewe of Oak. He spent almost every night soaking up the sounds of legends who hold residency on the stage such as George Porter JR and Johnny Vidacovich and getting in all the “vices” of clean living including crawfish boils and late night Yaka Mein. Alongside Strickland, Green Buddha is comprised of veteran musicians in the Colorado music scene/frequent Color Red collaborators Otis Lande (Euforquestra), and Jonny Jyemo (Jyemo Club) and new keyboardist Olivia Rebodello.
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Sounds of Mike Tallman
Sounds of Mike Tallman
Thu, Oct 01, 2020
Kivu
By: Tyson Meya
Fri, Sep 18, 2020
Queen Anne's Lace
By: Radon
Fri, Sep 18, 2020
Try
By: Kim Dawson
Fri, Sep 18, 2020
Dracula's Monk
By: Dopapod
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Aaron Johnston
Aaron Johnston
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CRED
Thu, Sep 17, 2020
Momento
By: Jedi Johnston
Posted By:
CRED
Thu, Sep 17, 2020
Mr. Sneaky
By: Jedi Johnston
Posted By:
Sounds of Eddie Roberts
Thu, Sep 17, 2020
Back Atcha
By: Jedi Johnston
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Sounds of Josh Fairman
Sounds of Josh Fairman
Thu, Sep 24, 2020
Summer Dress
By: Cycles
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CRED
Fri, Sep 18, 2020
Entirely
By: Star Kitchen
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Sounds of Lee Popa
Sounds of Lee Popa
Posted By:
Sounds of Eddie Roberts
Thu, Oct 15, 2020
Rhumba for Peregrine
By: Mike Dillon
Posted By:
Sounds of Eddie Roberts
Mon, Sep 28, 2020
Gettin' On
By: Freekbass
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Polyrhythmics
Polyrhythmics
Posted By:
Polyrhythmics
Thu, Sep 24, 2020
Man From the Future (LP)
By: Polyrhythmics
Posted By:
Polyrhythmics
Fri, Jan 15, 2021
I Believe In Love (45)
By: Polyrhythmics
Posted By:
Polyrhythmics
Fri, Dec 04, 2020
Fondue Party (Digital EP)
By: Polyrhythmics
“We wanted to do something different this time. It feels appropriate given all the changes happening in our world and 2020 marking the 10th anniversary of the band’s existence,” says drummer, Grant Schroff, “ We wanted to make an EP that has a vibe to it as a whole. As COVID rages on and the weather turns colder, we will once again be retreating back into our homes. We wanted to offer a record that people can reach for when they want to light a candle and have a chill night at home, take a puff and do the dishes or have a Fondue Party with some close friends.”
Posted By:
Joel A. Ricci
Thu, Feb 11, 2021
I Believe In Love (Instrumental)
By: Polyrhythmics , Joel A. Ricci
Musical Influences: Sisters Love, The Jackson Sisters
Musical Inspiration: In 2015, there was a particular sense of urgency to make and release this message to the world when brutal authoritarian forces that sought to divide people using the age-old tactics of lies, hate, fear, bigotry, racism, and misogyny sought to take and consolidate power without regard for the fellow inhabitants of planet earth.
Lyrical Inspiration: The lyrics are extremely elementary, Everything in this song is hanging from the words "I BELIEVE IN LOVE" with the first 'verse' being constructed almost entirely of a well-worn aphorism, and the second verse being a chance for me to state my position that this material world is actually an illusion, made manifest to us through our physical senses which are, themselves, made up of the very same illusory substance. But without being too heavy-handed about it, the words of the second verse leave a lot up to the interpretation of the listener.
Artist Statement: The song is a call to those who Believe in Love to shout it out, scream it out, sing it out, and then set that sentiment into action.
Posted By:
Joel A. Ricci
Thu, Feb 11, 2021
I Believe In Love
By: Polyrhythmics , Joel A. Ricci
Musical Influences: Sisters Love, The Jackson Sisters
Musical Inspiration: In 2015, there was a particular sense of urgency to make and release this message to the world when brutal authoritarian forces that sought to divide people using the age-old tactics of lies, hate, fear, bigotry, racism, and misogyny sought to take and consolidate power without regard for the fellow inhabitants of planet earth.
Lyrical Inspiration: The lyrics are extremely elementary, Everything in this song is hanging from the words "I BELIEVE IN LOVE" with the first 'verse' being constructed almost entirely of a well-worn aphorism, and the second verse being a chance for me to state my position that this material world is actually an illusion, made manifest to us through our physical senses which are, themselves, made up of the very same illusory substance. But without being too heavy-handed about it, the words of the second verse leave a lot up to the interpretation of the listener.
Artist Statement: The song is a call to those who Believe in Love to shout it out, scream it out, sing it out, and then set that sentiment into action.
Posted By:
Joel A. Ricci
Thu, Feb 11, 2021
I Believe In Love
By: Polyrhythmics , Joel A. Ricci
Musical Influences: Sisters Love, The Jackson Sisters
Musical Inspiration: In 2015, there was a particular sense of urgency to make and release this message to the world when brutal authoritarian forces that sought to divide people using the age-old tactics of lies, hate, fear, bigotry, racism, and misogyny sought to take and consolidate power without regard for the fellow inhabitants of planet earth.
Lyrical Inspiration: The lyrics are extremely elementary, Everything in this song is hanging from the words "I BELIEVE IN LOVE" with the first 'verse' being constructed almost entirely of a well-worn aphorism, and the second verse being a chance for me to state my position that this material world is actually an illusion, made manifest to us through our physical senses which are, themselves, made up of the very same illusory substance. But without being too heavy-handed about it, the words of the second verse leave a lot up to the interpretation of the listener.
Artist Statement: The song is a call to those who Believe in Love to shout it out, scream it out, sing it out, and then set that sentiment into action.
Posted By:
Polyrhythmics
Sat, Dec 05, 2020
Chelada
By: Polyrhythmics
Posted By:
Polyrhythmics
Sat, Dec 05, 2020
The Cutdown
By: Polyrhythmics
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Steve Berlin
Steve Berlin
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Michelle Sarah
Thu, Jan 14, 2021
No Crime
By: Michelle Sarah
I was entirely taken by this song when it came up. My experience creating it for this album was so fun, adding the backing vocals, the horn arrangements, the way the song was so beautifully augmented in the process is exciting! This song is a declaration, an empowerment, and I think the full message is loud and clear. I am thrilled at how our final product turned out and elated to share with our listeners - I think it is a timely reminder in the now.
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CRED
Fri, Nov 27, 2020
My Everything
By: Michelle Sarah
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Jason Cressey
Jason Cressey
Posted By:
FUTURENOT
Thu, Jul 08, 2021
Let Us In
By: FUTURENOT
Posted By:
CRED
Tue, Dec 08, 2020
Sunday Afternoon
By: True Loves
Posted By:
FUTURENOT
Thu, Sep 23, 2021
Be The Change
By: FUTURENOT
Musical Style: Hip-hop, Jazz, Funk | Soul | Jazz
Musical Influences: Cannonball Adderley, Nat Adderley, Joe Zawinul, Lenny Pickett
Track Description: This is the first song Jason and Peter wrote together. The song is based around a simple melody in the horns but truly features the rhythm section, not just in the intro and solos but in how they create this amazing vibe and context for the melody. It's the feel-good, feeling fine listening track, and you can hear the strong influence of Nat & Cannonball Adderley at play. The song follows the horn section throughout the tune as they play off each other's vibrations, both melodically and rhythmically. The perfect song for celebrations, summer drives with the windows down and family living room dance parties.
Posted By:
True Loves
Thu, May 20, 2021
Objects In Mirror
By: True Loves
Posted By:
True Loves
Thu, Apr 15, 2021
Yard Byrds
By: True Loves
“Yard Byrds” by True Loves holds a slow and steady groove with a majestic melody on top. The tune was co-written by trombonist Greg Kramer and bassist Bryant Moore with the intent to write a classic using just four chords, a descending bass line, and a repeating 8th note pattern a la Dr. Dre with a stately melody riding on top. The icing on the cake was a countermelody played by woodwind section of Gordon Brown on flute/tenor sax and Skerik on baritone saxophone. The fourth single off of the group’s sophomore album ‘Sunday Afternoon’ is a nice contrast from their high-energy, fast tempo bangers, and allows both the group and their listeners to have a moment and breathe. Close your eyes for this one and take it all in.
Posted By:
True Loves
Thu, Mar 04, 2021
Did It Again
By: True Loves
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Jason Gray
Jason Gray
Posted By:
Polyrhythmics
Thu, Sep 24, 2020
Man From the Future (LP)
By: Polyrhythmics
Posted By:
Polyrhythmics
Fri, Dec 04, 2020
Fondue Party (Digital EP)
By: Polyrhythmics
“We wanted to do something different this time. It feels appropriate given all the changes happening in our world and 2020 marking the 10th anniversary of the band’s existence,” says drummer, Grant Schroff, “ We wanted to make an EP that has a vibe to it as a whole. As COVID rages on and the weather turns colder, we will once again be retreating back into our homes. We wanted to offer a record that people can reach for when they want to light a candle and have a chill night at home, take a puff and do the dishes or have a Fondue Party with some close friends.”
Posted By:
Joel A. Ricci
Thu, Feb 11, 2021
I Believe In Love (Instrumental)
By: Polyrhythmics , Joel A. Ricci
Musical Influences: Sisters Love, The Jackson Sisters
Musical Inspiration: In 2015, there was a particular sense of urgency to make and release this message to the world when brutal authoritarian forces that sought to divide people using the age-old tactics of lies, hate, fear, bigotry, racism, and misogyny sought to take and consolidate power without regard for the fellow inhabitants of planet earth.
Lyrical Inspiration: The lyrics are extremely elementary, Everything in this song is hanging from the words "I BELIEVE IN LOVE" with the first 'verse' being constructed almost entirely of a well-worn aphorism, and the second verse being a chance for me to state my position that this material world is actually an illusion, made manifest to us through our physical senses which are, themselves, made up of the very same illusory substance. But without being too heavy-handed about it, the words of the second verse leave a lot up to the interpretation of the listener.
Artist Statement: The song is a call to those who Believe in Love to shout it out, scream it out, sing it out, and then set that sentiment into action.
Posted By:
Joel A. Ricci
Thu, Feb 11, 2021
I Believe In Love
By: Polyrhythmics , Joel A. Ricci
Musical Influences: Sisters Love, The Jackson Sisters
Musical Inspiration: In 2015, there was a particular sense of urgency to make and release this message to the world when brutal authoritarian forces that sought to divide people using the age-old tactics of lies, hate, fear, bigotry, racism, and misogyny sought to take and consolidate power without regard for the fellow inhabitants of planet earth.
Lyrical Inspiration: The lyrics are extremely elementary, Everything in this song is hanging from the words "I BELIEVE IN LOVE" with the first 'verse' being constructed almost entirely of a well-worn aphorism, and the second verse being a chance for me to state my position that this material world is actually an illusion, made manifest to us through our physical senses which are, themselves, made up of the very same illusory substance. But without being too heavy-handed about it, the words of the second verse leave a lot up to the interpretation of the listener.
Artist Statement: The song is a call to those who Believe in Love to shout it out, scream it out, sing it out, and then set that sentiment into action.
Posted By:
Joel A. Ricci
Thu, Feb 11, 2021
I Believe In Love
By: Polyrhythmics , Joel A. Ricci
Musical Influences: Sisters Love, The Jackson Sisters
Musical Inspiration: In 2015, there was a particular sense of urgency to make and release this message to the world when brutal authoritarian forces that sought to divide people using the age-old tactics of lies, hate, fear, bigotry, racism, and misogyny sought to take and consolidate power without regard for the fellow inhabitants of planet earth.
Lyrical Inspiration: The lyrics are extremely elementary, Everything in this song is hanging from the words "I BELIEVE IN LOVE" with the first 'verse' being constructed almost entirely of a well-worn aphorism, and the second verse being a chance for me to state my position that this material world is actually an illusion, made manifest to us through our physical senses which are, themselves, made up of the very same illusory substance. But without being too heavy-handed about it, the words of the second verse leave a lot up to the interpretation of the listener.
Artist Statement: The song is a call to those who Believe in Love to shout it out, scream it out, sing it out, and then set that sentiment into action.
Posted By:
Polyrhythmics
Sat, Dec 05, 2020
Yeti, Set, Go
By: Polyrhythmics
Posted By:
Polyrhythmics
Sat, Dec 05, 2020
The Cutdown
By: Polyrhythmics
Posted By:
Polyrhythmics
Sat, Dec 05, 2020
Man from the Future
By: Polyrhythmics
Posted By:
Polyrhythmics
Sat, Dec 05, 2020
In the Trees
By: Polyrhythmics
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Dennis Rux
Dennis Rux
Posted By:
Dennis Rux
Thu, Feb 25, 2021
Sacrificium Crudelis
By: Tetrao Urogallus
Musical Style: Afro-Beat, Doom metal, Psychedelic rock, Funk-Rock, Proto Metal
Musical Influences: Budos Band, Black Sabbath, Menahan Street Band
Musical Inspiration:
Artist Statement: The song and second single "Sacrificium Crudelis" was the first song in cooperation with amazing artist Carsten Meyer. He brought wild pychedellic moog passages that perfectly match the feedback thunderstorm of the Hofner-Verithin guitar from 1965 guitar (live jammed). - escallation of the capercaillie.
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Yeah Yeah Yeah Studios
Thu, Dec 10, 2020
Euphorbia Helioscopia
By: Tetrao Urogallus
Musical Style: Afro-Beat, Doom metal, Psychedelic rock, Funk-Rock, Proto Metal
Musical Influences: Budos Band, Black Sabbath, Menahan Street Band
Musical Inspiration: The track´s name refers to the sun spurge (madwoman´s milk), a rare highly poisonous plant which keeps his head towards the sun and (after all evil) is said to cure liver cancer. What could be more inspiring?
Artist Statement: During the session, I was constantly enjoying my instrument and the fun athmosphere, so there was no tension even so we did record most of the time - now, hearing the result, it is hard to believe I really did this. Another important lesson learned.
Posted By:
Yeah Yeah Yeah Studios
Thu, Nov 12, 2020
Skyline
By: The Drawbars
Posted By:
Yeah Yeah Yeah Studios
Mon, Sep 28, 2020
Shout
By: The Drawbars
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Ben Teters
Ben Teters
Mon, Sep 28, 2020
SunDub Meets Victor Rice
By: SunDub
Comments
Fri, Sep 18, 2020
Burn Down The Place Dub
By: SunDub
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George Porter Jr.
George Porter Jr.
Tue, Mar 16, 2021
Crying For Hope (LP)
Posted By:
George Porter Jr. And Runnin' Pardners
Tue, Feb 09, 2021
Crying For Hope
By: George Porter Jr. And Runnin' Pardners
George Porter Jr & Runnin’ Pardners collaborated remotely to record “Crying for Hope” during the pandemic in New Orleans, LA. Porter penned lyrics inspired by the social justice movement over the past 9 months and keyboardist Mike Lemmler helped stitch the arrangement together. Once mixed by Joseph Kalb, the group collaborated with Color Red / Controlled Substance Sound Labs to release it into the world. Upcoming full-length album to release March 26, 2021.
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Oliver Klomp
Oliver Klomp
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Low Stimuli Affect
Sun, Aug 15, 2021
Vedanā
By: Low Stimuli Affect , Olli Klomp
Vedana (Vay.di.nah) A Pali term which means feeling/sensation.
By learning to observe sensations objectively, described as having both mental and physical aspects, one can avoid new reactions and can experience directly within oneself the reality of impermanence which is essential in the development of detachment.
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Joel A. Ricci
Joel A. Ricci
Posted By:
Joel A. Ricci
Thu, Feb 11, 2021
I Believe In Love (Instrumental)
By: Polyrhythmics , Joel A. Ricci
Musical Influences: Sisters Love, The Jackson Sisters
Musical Inspiration: In 2015, there was a particular sense of urgency to make and release this message to the world when brutal authoritarian forces that sought to divide people using the age-old tactics of lies, hate, fear, bigotry, racism, and misogyny sought to take and consolidate power without regard for the fellow inhabitants of planet earth.
Lyrical Inspiration: The lyrics are extremely elementary, Everything in this song is hanging from the words "I BELIEVE IN LOVE" with the first 'verse' being constructed almost entirely of a well-worn aphorism, and the second verse being a chance for me to state my position that this material world is actually an illusion, made manifest to us through our physical senses which are, themselves, made up of the very same illusory substance. But without being too heavy-handed about it, the words of the second verse leave a lot up to the interpretation of the listener.
Artist Statement: The song is a call to those who Believe in Love to shout it out, scream it out, sing it out, and then set that sentiment into action.
Posted By:
Joel A. Ricci
Thu, Feb 11, 2021
I Believe In Love
By: Polyrhythmics , Joel A. Ricci
Musical Influences: Sisters Love, The Jackson Sisters
Musical Inspiration: In 2015, there was a particular sense of urgency to make and release this message to the world when brutal authoritarian forces that sought to divide people using the age-old tactics of lies, hate, fear, bigotry, racism, and misogyny sought to take and consolidate power without regard for the fellow inhabitants of planet earth.
Lyrical Inspiration: The lyrics are extremely elementary, Everything in this song is hanging from the words "I BELIEVE IN LOVE" with the first 'verse' being constructed almost entirely of a well-worn aphorism, and the second verse being a chance for me to state my position that this material world is actually an illusion, made manifest to us through our physical senses which are, themselves, made up of the very same illusory substance. But without being too heavy-handed about it, the words of the second verse leave a lot up to the interpretation of the listener.
Artist Statement: The song is a call to those who Believe in Love to shout it out, scream it out, sing it out, and then set that sentiment into action.
Posted By:
Joel A. Ricci
Thu, Feb 11, 2021
I Believe In Love
By: Polyrhythmics , Joel A. Ricci
Musical Influences: Sisters Love, The Jackson Sisters
Musical Inspiration: In 2015, there was a particular sense of urgency to make and release this message to the world when brutal authoritarian forces that sought to divide people using the age-old tactics of lies, hate, fear, bigotry, racism, and misogyny sought to take and consolidate power without regard for the fellow inhabitants of planet earth.
Lyrical Inspiration: The lyrics are extremely elementary, Everything in this song is hanging from the words "I BELIEVE IN LOVE" with the first 'verse' being constructed almost entirely of a well-worn aphorism, and the second verse being a chance for me to state my position that this material world is actually an illusion, made manifest to us through our physical senses which are, themselves, made up of the very same illusory substance. But without being too heavy-handed about it, the words of the second verse leave a lot up to the interpretation of the listener.
Artist Statement: The song is a call to those who Believe in Love to shout it out, scream it out, sing it out, and then set that sentiment into action.
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Ben Myers
Ben Myers
Posted By:
Crescent City Connection
Thu, May 27, 2021
Blue Car
By: Crescent City Connection
Produced by Ben Myers & Jason Russell
Credits:
Ben Myers - Vocals, Trumpet
Brandon Vigil - Saxophone
Luke Jones - Drums
Jason Russell - Bass
Daniel Thompson - Keyboards
Lance Ruby - Guitar
Tracking Engineer - Darren Radach
Stout Studios
Mixing Engineer - Darren Radach
Stout Studios
Mastering Engineer - Darren Radach
Stout Studios
Posted By:
Crescent City Connection
Thu, Apr 15, 2021
D'mina
By: Crescent City Connection
With their instrumental funk single D'mina, Crescent City Connection pays tribute to contemporary New Orleans funk artists like John Gros and Joe Krown. Catchy horn lines lead into big sax and guitar solos with a few twists and turns along the way.
Posted By:
Crescent City Connection
Thu, Jan 14, 2021
Drifting Away
By: Crescent City Connection
Produced by Ben Myers & Jason Russell
Credits:
Ben Myers - Vocals, Trumpet
Brandon Vigil - Saxophone
Luke Jones - Drums
Jason Russell - Bass
Daniel Thompson - Keyboards
Lance Ruby - Guitar
Tracking Engineer - Darren Radach
Stout Studios
Mixing Engineer - Darren Radach
Stout Studios
Mastering Engineer - Darren Radach
Stout Studios
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Neal Evans
Neal Evans
Posted By:
Photon
Tue, May 18, 2021
Mouse Hunt
By: Photon
This song is a tale of a mouse who is comfortable in his house, but is then pursued by a predator. The different sections of the song reflect the state of mind of the rodent depending on what its going through. Going into the studio with this band is something we are always excited about because we are typically a long form improvisation experience. This studio session gave us a chance to define for ourselves what the true essence of the composition was, and be able to shape it for a recording that is concise and accurate.
Posted By:
Photon
Thu, Aug 05, 2021
Glow Worm
By: Photon
Musical Style: Jazz, Jazz fusion, 70's fusion jazz, Swing, Synth Jazz
Musical Influences: Snarky Puppy, Pat Metheny, Steve Swallow
Musical Inspiration: This track is based in the same environment as mouse hunt, but while mouse hunt is on the ground, glow worm is in the air and in the trees. This track goes through the circadian cycle of day and night where the worm and it's friends are care free and essentially swinging through life during the day and become literally illuminated at night thus creating their own celebrations and means for inspiration merely by existing
Artist Statement: I wanted to write a waltz to pay homage to all of my ECM heroes like Steve Swallow and Pat Metheny along with sections similar to the vein of Snarky Puppy as well. The day time sections are happy, bouncy, waltzy and controlled, where as the night sections more randomness and more colorful effects highlighted through percusion bursts and echo keyboards. I want the listener, just as in Mouse Hunt, to be inside the perspective of the animal and to experience what it sees and feels as it goes through life.
Posted By:
Photon
Thu, Jun 24, 2021
Renegade
By: Photon
Posted By:
Neal Evans
Thu, Mar 04, 2021
Bubble Up
By: Photon
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Jack Powell
Jack Powell
Posted By:
Hot Mustard
Thu, Sep 02, 2021
Mother Sauce
By: Hot Mustard
Musical Style: Funk and Dirty Soul, Golden age hip hop, Instrumental hip hop, Instrumental Funk, Instrumental Soul, 90's Hip-hop, Breaks, Cinematic Soul, Chill-hop, Funky Hip-hop, Groove, Instrumental, Lofi Hip-hop, Lofi, Lo-fi, Old School Funk & Soul, 60's Funk, 70's Funk, Chill-out, Deep Groove, Downtempo
Musical Influences: El Michels Affair, Menehan Street Band, DJ Shadow
Posted By:
Hot Mustard
Thu, Aug 19, 2021
Window Seat
By: Hot Mustard
Musical Style: Funk and Dirty Soul, Golden age hip hop, Instrumental hip hop, Instrumental Funk, Instrumental Soul, 90's Hip-hop, Breaks, Cinematic Soul, Chill-hop, Funky Hip-hop, Groove, Instrumental, Lofi Hip-hop, Lofi, Lo-fi, Old School Funk & Soul, 60's Funk, 70's Funk, Chill-out, Deep Groove, Downtempo
Musical Influences: El Michels Affair, Menehan Street Band, DJ Shadow
Musical Inspiration: Connecting thoughts and ideas in the studio
Artist Statement: We had given a rough demo of the LP to Jordan Mclean to write horn parts for. Of a ten song LP, we had picked three tracks and told Jordan to pick two more. Window Seat was one of his picks. I was a little concerned that he picked this particular track since it was one of the more fully realized tracks already. Needless to say, Jordan absolutely nailed it. We can't even imagine this track with out the horns now.
Posted By:
Hot Mustard
Thu, Jun 03, 2021
Jerkwater Strut
By: Hot Mustard
Hot Mustard’s debut single, Jerkwater Strut, kicks off with wonky, off-kilter wah guitar and buzzy brass stabs over smooth bass arpeggios before dropping into a boom-bap, Wu anthem style crescendo and releasing into a soulful guitar solo sprinkled with sparse tape-delayed Hammond organ chops and garnished with subtle, smoky analog synth textures. The syrupy sweet melodies are expertly balanced by a fiery brass section led by Antibalas’ Jordan Mclean, leaving listeners banging their utensils on the table in anticipation of the next hot platter.
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